I always feel embarrassed when I speak up for coursebooks. I think I’m supposed to hate them. Everybody else seems to, so I guess that’s the right thing to do. According to Steve Brown’s latest post (well worth a read), even coursebook writers themselves are getting bold enough to criticise the practices of big publishers. Steve reckons that, in the grand scheme of things, such criticism is pointless. I say that the writers should keep doing it. The more they bite the hand that feeds, the more likely that publishers get annoyed and look for writers elsewhere. I’d love to get a message in my LinkedIn mailbox one day that reads: (more…)
Here’s my article for the latest Modern English Teacher, April 2018. I did a bit of action research on using Quizlet in class, which I mentioned before in this post. Sorry about the graphs, Scribd makes them look a bit funny. The research was part of a Masters module in tech-assisted language learning through NILE ELT.
This article is copyright Pavilion Publishing.
You can find some tips for writing for ELT magazines in my post here.
This is an introductory session on the phonemic chart for trainees taking the DipTESOL. I’ve designed this to supplement input given via distance learning courses, to be run in-house. It’s meant to help trainees give a basic explanation of the phonemic chart – something I was asked to do during my DipTESOL phonology interview.
The first question I was asked in my DipTESOL phonology interview was (along the lines of…):
Can you give me a brief description of the phonemic chart, and how it might benefit learners of English?
Gulp. Where do I start?
If I were a DipTESOL tutor the first thing I would do is get the chart into play. I think the phonology part of the course is what many trainees fear, so let’s nip that in the bud straight away… This session isn’t about jumping straight in and learning all the sounds, sound symbols, place and manner of articulation and all that scary stuff. It’s about exploring the idea of the chart and helping trainees become more confident discussing it rather than using it.
Disclaimer: my flipcharts don’t look good 😦
Session time: about an hour
I encountered the phonemic chart on my CELTA course, so I’m guessing others will have too. I’d guess also that many teachers know more about it that than they think, so let’s start with a discussion: (more…)
The latest offering from Alphabet Publishing looks like a great resource for bringing drama into the language classroom. Her Own Worst Enemy is written by Alice Savage, a Professor of ESOL in Texas who has previous publications with Longman and OUP.
The book is based around a short one-act play. A complete curriculum is built around the play (pitched at ‘low intermediate to high intermediate’ level), including:
- preparation tasks such as discussions, background reading, understanding pragmatics and attentive listening practice
- the script itself along with post-reading discussion questions
- a step-by-step production section which helps learners analyse the play, learn their lines, get into character, and develop pronunciation skills for their performance
- post-performance tasks including debates, follow up tasks and resources for peer and teacher feedback
The deal-breaker for me with a resource like this is whether the play is actually engaging. Can I see my learners getting into it? Here’s a blurb on the play from Alphabet Publishing:
Aida, a high-school student, wants to get a university degree in science. But her performance in a school play has caught the attention of the theatre director at a famous performing arts college. Which passion should she pursue, her love of science or her talent for acting?
Of course, such a topic won’t suit every context, but it’s definitely a topic that many teens and young adults will be able to relate to. My studious teen classes would certainly enjoy debating some of the issues that the characters face. In other contexts I’ve worked in, especially summer schools back in Europe and short courses with closed groups back in the UK, I can see this topic would be relevant and generate a lot of interest. (more…)
(This is a follow-up to my post on phonology-based activities. I’m sharing it now because some of our teachers are about to begin training for the Trinity DipTESOL. Phonology/pronunciation features quite a bit on that course, so I want to offer our teachers an ideas bank to help them explore this area in class)
Here are a load of random pronunciation activities to try out in class. These activities have pretty worked well for me with students aged 9-16. This is a work in progress! I’ll add more to this list when I get more time or try new things.
Note: there are not many activities here that focus on connected speech. That’s because most of my CS activities come from Marks and Bowen (2013) and I don’t want to do them a disservice by plagiarising their whole book! Buy it – it’s great!
If you find something useful then please share your own ideas in the comments! Sharing is caring 🙂
Use whatever you can to associate sounds with a particular object or action. If it’s /æ/ mime a cat, /ɪ/ then mime kicking a football. Keep it active. GIFs are pretty memorable too.
The best thing about assigning actions to phonemes is miming games! Say, for example, you’ve taught certain sounds like /d/ (act like a dog), /b/ (throw a ball), /æ/ (act like a cat). You can play a ‘backs to the board game’ where each word includes only sounds that have been taught (bad, dad, etc). The students describing the words can’t say anything, they can only mime the action for the corresponding sounds. Great fun!
You’ve introduced a set of phonemes. Display them on the board. Organise the class into teams, give each with a fly swat. They line up at the board. Say a word which includes one of the sounds (best to prepare a list of words beforehand). The first team to swat the correct sound wins a point.
Add more challenge. With the above sounds you can say either ‘vowel’ or ‘consonant’ before you say the word.
Teacher says: ‘vowel, butter’. Students must swat /ʌ/
Teacher says: ‘consonant, butter’. Students must swat either /b/ or /t/, or both in order if you’re feeling particularly cruel. Some of my students go mad for this! (more…)
I sat down to plan a General English class for our adult learners to the other day. I say plan, more like adapt. We have an in-house set of lessons so there’s already a plan in place, but the lesson needs tweaking to suit the learners. Anyway, I opened up my lesson schedule and there it was – ‘Lesson 93 – English around the World’. Just another lesson for other teachers, but really significant for me. It was the first time ever I’d taught published materials that I’d actually wrote!
I’m teaching my own materials week in, week out. Sometimes a coursebook or other materials are dry so I either just adapt them or scrap them and write something else. Most of my colleagues do the same, it’s standard procedure. I’m happy to share the resources I make with other teachers, if they turn out to be any good that is! But this time it’s different. I was actually paid to write these materials, they are formally published as part of a regional syllabus across 15 countries, and teachers across the region are using them daily.
My first thought – pride. It’s so cool. It’s a real sense of achievement to see something you wrote looking all organised on a handout. It’s funny to read teachers notes with your inner voice and remember the actual voice who wrote it was you…! Sure, it’s also a bit of an ego boost I guess, but that happens.
My second thought – relief. Phew! It’s Lesson 93! It’s one of the 50 or so lessons I wrote that I was fairly pleased with.
Third – confusion. Man, what are all these documents?! There’s like a handout and teachers notes, that’s standard, plus a few cut-ups. Then there’s a sort of jigsaw reading task, a running dictation, some more cut ups or something. Blimey. I went overboard for sure. A lot of this must be optional. I better read my own notes. (more…)
Teaching with Bear, what a classic!
This post is for anyone about to start a training course in teaching young learners. These 10 terms came up a lot on my YL training course so it’s worth reading up on them before you start. I’ve explained each one in brief, but you’ll also find some links for further reading. If more jargon pops up during your training I recommend this good online glossary for ELT related terms from eltnotebook.
According to Carol Ann Tomlinson, differentiation is ‘tailoring instruction to meet individual needs’. Carol has a great summary article on this on the Reading Rockets site, which you can access here.
You can differentiate in tonnes of ways – adding more support or more challenge to a task, having graded outcomes, allowing learners to choose how they demonstrate learning, adapting the learning environment, etc. Tomlinson provides a fair few examples in the aforementioned article.
If you really want to get stuck into this topic, Larry Ferlazzo’s page is probably what you’re looking for. I’d say this is a must learn phrase! Then again, it doesn’t even make the glossary of Annamaria Pinter’s ‘Teaching Young Learners’, so perhaps its losing its ‘buzzwordiness’.
Scaffolding is providing structured support to help learners achieve a task. The clue is in the word I guess… Personally, I used to think of scaffolding as part of differentiation, until I read this useful definition from edglossary.com. The concept of ‘scaffolding of learning’ is attributed to Jerome Bruner. One important aspect of scaffolding is how teacher support given to learners is gradually taken away as the learners become more independent. I’ve posted a few examples of scaffolding in action, here’s my favourite.